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              PHOTO CREDIT: Above photo by John Rickman Photography, San Jose, California. 
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Belly Dance Classes: 
  Choreography or Improvisation
by Shira
  
  
    Over the course of the past 30 years, I've taken local belly dancing
      classes from about 10 different teachers, plus seminars from many
      additional instructors. This exposure to a wide variety of teaching
      styles gave me an interesting perspective to draw from when I
      started teaching my own classes. 
      Of all the teachers I've taken weekly classes from, two have
      emphasized choreography, one has specifically used various exercises
      to teach improvisation, and the rest all taught assorted step
      combinations for us students to incorporate into our own dance
      style. I've enjoyed all of these teachers, and I've found something
      of value in each of their approaches.
       PHOTO CREDIT: Photo of Shira by Pixie Vision, Glendale, California.
      
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Opinion Poll
As I talked to other students over the years, it was interesting to see that different people preferred different approaches. Which do you like best? 
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Poll reflects votes since October 26, 2002.
Now that you've answered the poll, here's an interesting question
      for you to consider: why did you vote the way you did? Is it
      because you think you "can't" learn choreography, or
      you "can't" improvise? If so, maybe you just haven't
      found an instructor yet who can teach you how to do it! 
      Both memorizing choreography and improvisation are skills
      that can be learned. You may find that one comes
      easily to you, while you struggle with the other. Don't worry,
      you're normal! Sometimes, all it takes is forcing yourself to
      practice either memorization or improvisation, and you'll figure
      out for yourself how to do it. Other times, you may need to ask
      your teacher or classmates to suggest techniques, or try a different
      teacher. 
  
  
The Good Things About Choreography
I've noticed that when beginners and intermediates are learning
      new combinations, they often like to learn a choreography that
      uses these moves. It's helpful for several reasons. Learning choreography
      can help you: 
      
        - Remember the combinations that were taught in class
        
 - Show you how to put different moves together to make a complete
        dance
        
 - Provide a structure for practicing the combinations taught
        in class
        
 - Learn something you can perform for your friends and family
        without the terror of wondering what to do next
        
 - Understand what kind of music works well for various types
        of moves
        
 - Build a structure for a performance with a group of your
        classmates
        
 - Learn how your teacher interprets the music
        
 - Learn how to transition from one combination to another         
      
  
      The very first belly dancing class I ever took introduced
      a simple beginner choreography. Although it was a long time ago,
      I still remember and use a couple of the combinations it contained.
      I had great fun performing it for my friends at parties. 
  
  
Improvisation: The Creative Spirit
The primary problem with performing choreography is that usually
      someone else created it. When you're a student, it's helpful
      to have your teacher's guidance in learning how to assemble different
      moves into a complete dance. Some professional dancers do create
      choreography for themselves, and often their performances are
      exciting to watch because they've taken the time to analyze the
      music and think about which moves would fit with each section. 
  
    But sometimes it can feel wonderful to unleash your creative spirit
      and respond to how the music feels at the moment. Improvisation
      can be very satisfying as a creative outlet. Even if you prefer
      to use choreography when performing in public, you may want to
      experiment at home with letting the music absorb you and transport
      you. For some dancers, it can be very spiritual to lose themselves
      in the music. Repetitive songs with strong drumbeats are particularly
      effective for this. 
      Improvisation is also a very helpful skill to have when performing
        with live music. Some dancers are lucky to be affiliated with
        bands who will play the same song the same way every time for
        them, and these dancers have the option to create choreography
        for live music if they wish. But for most of us, it's not always
        possible to rehearse with the musicians ahead of time. We must
        rely on requesting a specific song, and even then there's no
        guarantee that we'll be able to predict the specific interludes
        and embellishments that a given band might decide to add. 
      Under the Choreography section above, I mentioned that choreography
      can provide a useful structure for group performance. Actually,
      so can improvisation! Here are a couple of ways that some dance
      troupes use improvisation for their ensemble performances: 
      
        - Group Solo. In a group solo, each individual interprets
        the music as she sees fit. Many people are dancing at once, but
        each is doing something different.
        
 - Group Improvisation. This is the core of the American
        Tribal Style that Carolena Nericchio pioneered with Fat Chance Belly Dance.
        One dancer acts as the leader who chooses from a series of step combinations that everyone in the group knows, and everyone else
        follows the leader's cues.
        
 - Mini-Solos. In a mini-solo, the entire group stands
        on stage together, often in a U-shape. Each dancer takes turns
        dancing in the center of the U for a brief section of a song
        while the rest of the group mark time behind her with little
        hip drops, clap along with the music for her, and encourage her.
        As one dancer finishes her mini-solo, the next takes her place
        dancing out in front.
        
        
      PHOTO CREDIT: Photo by Lina Jang, New York City, New York.          | 
      
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In Conclusion
You probably have already decided which you 
prefer: choreography or improvisation. But I encourage you 
to keep an open mind and learn how to do both. Each can be a 
valuable learning tool, and each can be very rewarding. If you 
aspire to be a professional dancer someday, you'll be more versatile 
if you can do both. 
  
  
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