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| Formats Available | NTSC |
| Overall Rating | |
| Production Quality | |
| Content Value | |
| Packaging | |
| Total Video Length | 117:00 |
| List Price | $14.95 |
| Cost Per Minute Of Performing Time | 13 cents |
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The famous cast members starring in this 1947 swashbuckler are not enough to rescue it from mediocrity. The movie opens with Sinbad the Sailor (played by Douglas Fairbanks, Jr.) looking back on his colorful life as an adventurer and boasting to a group of men about his exploits. He makes some claims about being "Prince Ahmed of Deryabar" which they greet with a hearty dose of skepticism. Our tale begins as Sinbad tells them this piece of his history that they haven't heard before. The story unfolds following Sinbad's seventh voyage. He is penniless. He and one of his cronies spot a derelict ship off the coast, and swim out to claim it as salvage. On board, they discover the dead bodies of the crew, but naturally this is not sufficient to frighten them away from claiming their rich prize. Securing the right to keep what they have salvaged proves to be more difficult than they anticipated, and in the process Sinbad meets the beautiful gold-digging Kurdish princess played by Maureen O'Hara. Naturally, Sinbad and the princess are attracted to each other, which is quite inconvenient because she is betrothed to the lord of a neighboring kingdom, a villainous sort (naturally) played by Anthony Quinn. Sinbad believes this ship may have come from the legendary island of Deryabar, which is believed to be where Alexander the Great stashed all his treasure. So naturally he sets forth on a quest to seek this hidden place, and just as naturally he feels an uncontrollable urge to make a stop en route at the city where Anthony Quinn's character rules, in hopes of catching another glimpse of the lovely princess. I'll end the plot synopsis here, so that I don't give away too much of the plot to spoil your fun if you should decide you want to watch it. I was disappointed by this movie. Quite disappointed. I normally enjoy 1940's-era swashbucklers, such as Errol Flynn's Robin Hood and Captain Blood, and I also normally enjoy movies starring Maureen O'Hara. But Sinbad the Sailor failed to live up to my expectations. Douglas Fairbanks, Jr.'s posturing and emoting is overdone. Many of his moves are highly stylized, as if being done in a ballet. For example, if a scene calls for him to run and look over a balcony, he doesn't merely run and look over the balcony. He makes a production out of swooping his way to the balcony, and then as he leans over the edge he lifts a leg elegantly behind him with a delicately pointed toe. His facial expressions are overdone to the point of being campy. The action scenes are also so campy that it's easy to imagine them as part of a Three Stooges or Marx Brothers movie, replacing Douglas Fairbanks with Moe or Groucho. Yes, I realize it is meant to be a light-hearted comedy, but it didn't quite work for me. Maureen O'Hara has some spunk, but overall she is rather subdued in this one. Only a few weeks earlier, I watched Mclintock (a John Wayne movie in which she was a very strong character), and in Sinbad she seems like a pale shadow in comparison.
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| I've never had any contact with anyone who had anything to do with the making of this movie. |
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