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Overall Rating: Armando Mafufo provides instruction on how to play two types of Egyptian frame drum: the riqq (Arabic tambourine) and the def (large drum, also known as a tar). He assumes that his viewer has some prior knowledge of Middle Eastern rhythms and focuses on how to use these particular instruments to produce them. |
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| Recommended Level | Experienced doumbec player or early intermediate riq/def player |
| Formats Available | NTSC |
| Overall Rating | |
| Production Quality | |
| Content Value | |
| Packaging | |
| Total Video Length | 48 minutes |
| Performance Time | 1 1/2 minutes |
| Teaching Time | 46 1/2 minutes |
| Choreography | No |
| Cultural Information | No |
| Music Education | Yes |
| Health Issues | No |
| Number Of Models | 1 |
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Armando Mafufo introduces styles of Arabic frame drums (skin stretched across a cylindrical frame), teaching technique for working with such drums and showing how common Arabic rhythms can be played on them. About half of the video is focused on the riq (Arabic tambourine), and the other half on the def (also known as tabla baladi or tar). At the end, he also demonstrates (but doesn't teach) a third type of frame drum known as the muzhar. The video opens with introductory comments by Armando. He shows what a riq is, and what a def is, explaining how they differ. The first instructional section of the video is titled "Riq Basic Technique". Armando shows how to hold the tambourine, teaches how to produce each of several types of sounds on it: a roll, a slap, a doon, a tec, and a ca. Armando's style is very cordial, making it pleasant to follow along with what he is teaching. Armando next moves on to teach several rhythms. Armando divides the rhythms into several different categories according to how many beats each has per measure. These include:
All of the 2-beat and 4-beat rhythms taught on this video are used in Egyptian music. The 6-beat rhythm is more typical of other parts of North Africa. Armando introduces each rhythm with spoken words such as "doon" and "tec" indicating the structure of the rhythm. This is done quickly, as if reviewing something you have previously learned. Diagrams on the back cover of the video show the structure for each rhythm, serving as a visual aid. He then plays it, offering suggestions for which of the many riq sounds might be appropriate. He then shows how it can be varied by substituting one sound for another; for example, substituting a slap for a doon. Initially, Armando plays the rhythm simply, then varies it in assorted ways. A newcomer to the instrument can steadily continue playing the original rhythm, while a more experienced drummer can select variations to work on. In the "Def Basic Technique" section Armando introduces a different kind of drum, the def. He mentions how the def differs from similar drums. He then shows techniques for holding and playing the def, including the tek, roll, doon, and grab/slap. He reviews the same rhythms covered earlier in the riq section, this time showing how they could be played on the def and different types of strokes used to vary the sound. The video closes with a demo of the muzhar, another type of frame drum that looks like a cross between a riq and a def. There is no instruction with this, just the demo. The lighting and sound quality are excellent. The camera angles are intelligently chosen, always making it easy to see Armando's hands. The angles shift frequently enough to avoid monotony, but linger long enough on the important shots.
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If you'd like to read my reviews of other videos featuring Armando, choose from the list below:
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| This video focuses on teaching drumming technique rather than on teaching Middle Eastern rhythms. Rhythms are reviewed, rather than taught in detail. Drummers who have mastered the doumbec and now want to learn to play frame drums will probably find this video helpful. Drum students lucky enough to have a local instructor can use this video to assist with home practice between classes. |
| I first discovered the music of Sirocco (the band that Armando plays percussion for) around 1985 when one of my dance teachers used their music in class. Since then, I have danced to them live myself on various occasions, bought many of their recordings, and met them at dance events. I always enjoy speaking with Armando and his wife Hanya when I see them. They gave me a complimentary copy of this video to review. |
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Contact Uncle Mafufo as follows: Fojaco Productions, Phone: (+1) (831) 475-3591 |
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