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You love belly dancing. And you've gotten good enough to start performing. You've been invited to dance in a student recital, or do a bellygram, or appear on-stage with a troupe. And now someone has suggested to you that you acquire a dance name. Huh? A dance name? What's that, and why do you need it? A dance name is similar to a writer's "pen name" or an actor's "stage name"--it's a name that you use when appearing in public as a dancer. Maybe you need one, but maybe you don't. Maybe you want one, maybe you don't. Whether or not you do need one depends on you, how dance fits into your life, and what biases your teacher or troupe director may have. This article will help you evaluate whether or not you need a stage name, and if you decide you want one, how to pick it. |
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In short, a "dance name" is a pseudonym you go by when you are functioning as a belly dancer. It is the name you use when you do a performance in public, go to eat dinner at a restaurant where you would like to have a job performing, teach classes, meet with musicians, go out on the town with your dance friends, attend dance workshops, and otherwise move in dance circles. If you introduce yourself under your dance name as you form new friendships, you may develop a circle of friends who don't even know your "mundane" name.
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Obviously, the first question is whether you should even bother selecting a dance name. Here are some ideas to help you consider that question--if you decide that yes, having a dance name is right for you, then you can go on to decide what it should be.
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The answer to this question won't help you much. Some pros, such as Morocco, Dahlena, and Cassandra do have "professional" names. Others, like Bert Balladine, John Compton, Suzanne Del Vecchio, Horacio Cifuentes, and Kathryn Ferguson are successful using their normal everyday names. A dancer named Salome in Ohio actually changed her legal name to Salome, and goes by that name for everything she does in life. Of course, some people like Khedaoudj and Suhaila Salimpour were given names when they were born that function well as stage names. So, no matter which way you decide to go for yourself, you'll be in good company. It's probably safe to say that the vast majority of dancers who perform in public or teach probably have adopted "dance names" to promote their image as a credible performer of Middle Eastern dance, enhance the mystique of the dance, and nudge the audience into expecting something just a little exotic. |
Are you reluctant to pass out business cards featuring your dance career with your "real" name on them? Are you afraid you would be the target of harassment or other unwelcome attention if the public were to know your real identity? Would you feel more comfortable with using a stage name rather than your legal name when you are introduced in public as a dancer?
Some people are very sensitive about this issue, and for others it doesn't matter much. If you have strong feelings about wanting to use a stage identity as a "mask" that hides your normal persona, then adopting a stage name is probably a good idea for you.
Your belly dance teacher may have a strong opinion on this issue. Ask her why you should or should not have a dance name, and consider the response. You should weigh your teacher's input, but make your own decision based on what's right for you.
If you are a member of a troupe, then your troupe director may strongly want you to adopt a dance name for use on promotional material (web site, press releases, flyers, etc.) for the troupe. Your troupe director is probably trying to cultivate a certain artistic "image" for the troupe, and using dance names for the participants may be an integral element in her vision of what that artistic image should be. If you want to be part of that troupe, then you may have to be flexible and adopt a dance name, at least for use when you're appearing with them.
For some dancers, the person who gets all dressed up in coins, sequins, flowing chiffon, or other costume items is just an extension of who they are anyway. They may be extroverted, flamboyant, and theatrical, and belly dance is just another way to express that. Or, for them belly dance may be a means of expressing their spiritual, artistic, or creative side--a side that they have openly acknowledged for many years. Is that you? The person you are on a normal daily basis may well be someone you, your family, and your friends can easily conceive of stepping onto a stage and delivering a mesmerizing belly dance performance. If that's the case, then you may not need a dance name, unless you simply want one as a "prop" to enhance your portrayal or help you get into the mood to dance.
Other dancers may have issues with shyness, self-confidence, modesty, or self-image, and find it hard to imagine themselves twirling about in coins or sequins. If that is your situation, you may find that adopting a dance name lets you create a whole new person: a person who DOES possess the self-assurance to step onstage with confidence and deliver a terrific show. Maybe "Susan" is terribly intimidated by the notion of actually dancing in public, whereas under the name "Samra" she can discard the inhibitions and step into the shoes of the artist within her.
| If this sounds like it might work for you, first you create the name, then you add the outward attributes that belong with what you believe you need to be when it's time for the "dancer" side of you to emerge: confident posture, vivacious behavior accompanied by ready willingness to make small talk with strangers, glamourously-done hair and nails, elegant clothing even when you're not on-stage, etc. When functioning under your normal everyday name, you wear your normal clothes and behave according to your normal patterns. But when you put on your dance identity to do a performance, watch a belly dance show, eat at a restaurant that features dancing, attend a class, or fraternize with people you have met through your dancing, then you put on your more elegant clothes, do your makeup, and adopt your alternate behavior. At first, you'll feel like an actress playing a part, but eventually you'll become accustomed to the routine and it will become more natural. Ideally, over time, as you become more comfortable with the role dance plays in your life, you'll be able to merge the two identities, taking what you like best from each and growing yourself into a more assured, confident, well-rounded adult. | ![]() |
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To simplify, there are two different ways you can go about acquiring a dance name--one is to choose one for yourself, and the other is to let someone else name you. Take care in your choice--think about something that not only appeals to you today, but isn't likely to become embarrassing to you in the future as you mature, change interests, and acquire new circles of friends. Obviously, it is possible to change your name in the future if you feel the urge to do so, but it'll be a hassle retraining everyone who has become acquainted with you under your original name.
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You could attach the word "bint", which in Arabic means "daughter of", followed by either your mother's name or the name of your first belly dance teacher--for example, "Jamila bint Samra" would mean "Jamila, daughter of Samra". Or, you could attach the word "om" followed by your eldest daughter's name, such as "Fatima om Anna," which means, "Fatima, mother of Anna." Finally, you could just pick two names that you like, such as "Farida Hana." Some troupes use the same last name for all their members, and then pick individual dance names. A great article, Names For Dancers And Other Graceful Souls, written by Me'ira that explores these ideas further can be found on the web on the Belly Dance Home Page. |
Yes, I know the word "practical" doesn't exactly go with being creative and artistic. But before making a decision, ask yourself whether that name can stand up to everyday use. Here are some questions to consider:
I've had dance friends who ended up changing their dance names because they got tired of people mispronouncing or misspelling their names, confusing them with someone else, or otherwise stumbling over them. Pick a name you think you'll still enjoy using indefinitely into the future.
Here are some possible places to look in your quest for a dance name:
Here are some web sites that offer suggestions for dance names:
Here are some books that offer suggestions for Middle Eastern baby names:
Whatever name you choose, it's not a bad idea to look it up in an Arabic dictionary, a Persian dictionary, and a Turkish dictionary (yes, all three!) just to make sure it's not obscene, ridiculous, or sacrilegious in the languages most widely spoken by Middle Eastern people. You'll also want to make sure it's suitable for you: if you're a blue-eyed blonde with pale skin color, the name Sauda (which means "black") would be a peculiar choice.
Who would name you? It might be your teacher, a musician, a Middle Eastern friend, or a club owner. Before blindly accepting the name that someone wants to bestow upon you, check it out in the Arabic, Persian, and Turkish dictionaries to make sure they didn't jokingly endow you with an insulting name. Also, ask yourself whether you respect this person enough to accept a name from her/him, or whether you want to distance yourself from her/his ideas. Just because someone wants to name you doesn't give him/her the right! You decide whether that person has earned the right to name you!
What if someone tries to give you a dance name you don't care to accept? Simple, go ahead and pick something else instead that you feel fits you better, and just don't use the one they tried to give you.
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Okay. You've picked out a name. Now that you have it, you want to make it your own. How? That's pretty much up to you. Here are some ideas:
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| ARTWORK CREDIT: All drawings on this page were done by Shira. Copyright 1998 by Julie Anne Elliot. All rights reserved. If you want to use them elsewhere, you must first get permission. To request such permission, contact Shira. |
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