| Do you have questions about Shira's reviewing methodology, such as how to interpret the chart, what the categories mean, or what her biases are? Click here for an explanation. |
What I Liked:
What I Didn't Like:
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| Overall Rating |
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| Production Quality |
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| Musicians' Skill |
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| Suitability For Practice |
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| Suitability For Performing |
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| Educational Value |
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| Packaging |
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| Style | Mostly nightclub drawn from throughout the Middle East, but a few songs would lend themselves to a more folkloric presentation. |
| Amount Of Music | 65:04 minutes |
| List Price | $14.95 |
| Cost Per Minute Of Music | 23 cents/minute |
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Most of the music in this collection consists of original compositions by Brian Keane and Omar Faruk Tekbilek, following the Middle Eastern style. However, there are some traditional Middle Eastern songs included. In general, most songs are played on traditional Middle Eastern instruments with some synthesizer accompaniment for effect. You will probably like this collection if:
You probably won't care for this music if:
I don't think this music would be the right choice for a beginner who wants practice music or something to use for a solo in a recital. The musical rhythms are rather complex, and in some songs they change frequently within the song. I usually advise beginners to select songs no longer than 3 1/2 minutes for their solos because it's hard for a novice to continue doing exciting things to a particular piece of music for longer than that, and most of the songs in this collection with simple rhythms are longer than 5 minutes. |
| A note about the RealAudio clips that appear below: the nature of how RealAudio works is that it makes sacrifices in sound quality. It does that because it tries to make the file sizes as small as possible, thereby allowing you to download them faster. As you listen to these clips, please remember that the sound quality on the original recordings is far superior to what these clips sound like. |
|
Length |
Nationality |
RealAudio Clip? |
Translation? |
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| Somewhere In The Sahara | 2:30 | U.S.A. | No | Instrumental | Starts with sound of wind. Ney comes in. Other instruments enter and build. Smooth transition into next track. |
| Oglan Boyun | 5:11 | Persian | Yes | Instrumental | 6/8 rhythm. Fun, bouncy. Nice music to use if you're performing in a show with many other dancers and you want something different from what everyone else is using. |
| A Call To Prayer | 5:20 | Middle Eastern with U.S. embellishment | No | No | Chant accompanied by background instrumentals. Beautiful & haunting. But not suitable for dance -- dancing to it could offend Muslims. |
| Desert Twilight | 5:11 | U.S.A. | Yes | Instrumental | Beautiful, lyrical melody. Made me feel calm while driving in California rush hour traffic. Primary instruments are guitar and ney. Would be lovely for veil work. |
| A Passage East | 3:06 | U.S.A. | Yes | Instrumental | Jazz guitar. Did not put me in the mood for Middle Eastern dance. Aimless. |
| Song Of The Pharaohs | 5:57 | Ancient Egypt | Yes | Instrumental | Ney solo against background of synthesizer with wind & other effects. Lovely. Calming. Could be nice for veil, balancing, or Pharaonic. |
| Beledy | 5:27 | U.S.A. | Yes | Instrumental | Opening zurna improvisation, then maqsoum beat kicks in. Strong percussion throughout. Not recommended for beginners because of frequent rhythm changes, but could be satisfying for more experienced dancer. Spirited half-minute drum solo near the end with playful accents. Zurna leads melody line throughout, giving the piece a decidedly ethnic flavor. |
| Fire Dance | 5:27 | Egyptian | No | Instrumental | Definitely modern Egyptian style: big orchestra sound, periodic drum licks, frilly embellishments. Not recommended for beginners because of music complexity. |
| Ask | 6:24 | U.S.A. | Yes | Instrumental | Ney/oud duet. Call & answer with the two occasionally playing in unison. Nice, flowing melody, but I was bored with it by the end. Doesn't sound Middle Eastern. |
| Village Song | 4:16 | Turkey | No | Instrumental | 9/8 rhythm. Played on zurna. Strong percussion throughout. At times, has a fuller orchestral sound. On the border between ethnic flavor and nightclub. |
| Modern Mystics | 2:59 | U.S.A. | No | Instrumental | Ney improvisation in the style of the Sufi music used to accompany whirling dervishes. Accompanied by guitar. May be suitable for standing undulations, floor work, balancing. |
| Sahara (reprise) | 1:16 | U.S.A. | No | Instrumental | Free-form improvisation. Suitable for standing undulations, balancing, floor work. Guitar melody against synthesizer background. |
| Spirit Of The Ancestors |
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Strange, eerie but appealing. Deep male voices chanting a percussion rhythm. Layered over that are ney and male vocals. |
| Halay | 5:56 |
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Bouncy 6/8 rhythm. Builds in volume and energy. Brief drum solo in center. Very much get-up-and-dance music. |
| I've never had any dealings with Brian Keane or Omar Faruk Tekbilek. I know them only by reputation. |
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Or, contact Brian Keane and Omar Faruk Tekbilek through: Celestial Harmonies Web Site: http://dynrec.com/tekbilek/ |
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