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What I Liked:
What I Didn't Like:
|
| Overall Rating | |
| Production Quality | |
| Musicians' Skill | |
| Suitability For Practice | |
| Suitability For Performing | |
| Educational Value | |
| Packaging | |
| Style | Christian Christmas Music |
| Amount Of Music | 75:09 minutes |
| List Price | $15.50 |
| Cost Per Minute Of Music | 21 cents/minute |
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This is a collection of Christmas songs, mostly religious-themed ones, played by the band Desert Wind. These arrangements are layered on top of drumming using Middle Eastern percussion instruments such as riqq and dumbek, playing Middle Eastern rhythms. The melody lines are played in Desert Wind's standard New Age style, on instruments including assorted flutes, piano, mandolin, harpsichord, recorder, and others. Out of 15 songs in the collection, 3 were composed by Alan Scott Bachman and the rest are traditional Christmas music. For the most part, the use of the Middle Eastern percussion is very subtle. Although there's an occasional dumbek accent, for the most part I found the melody instruments to overpower the percussion and often I couldn't really hear what rhythm the percussion was playing. It's there, but it's very understated. Despite the use of this Middle Eastern percussion, for me the album came across as simply traditional Christmas songs played in the New Age style. The Middle Eastern influence is so subtle that if I were describing these arrangements for someone who was not part of the belly dance scene I wouldn't even mention it. In general, the format for each song opened with a bit of lead-in, followed by the main melody of the song played in a reasonably straightforward way. After a time or two through the verse and chorus, the musicians would then transition into an extended improvisation section. These improvisations tended to be entirely different melodies, rather than variations on the original, so if you came into a song in the middle of one of these you would probably not be able to identify which song was currently playing. I enjoyed the improvisations - they were musically interesting, and well executed. But they also diluted the Christmas-ish feel of the songs, which could be an issue, depending on what you're intending to use the music for. I found the arrangements of all these songs to be fairly mellow and low-key. For belly dancing, I might be able to envision doing a quiet-mood piece such as a veil performance or balancing a candle on my head to one of these songs, but none of the songs were high-energy enough for me to choose them for an exciting entrance or a powerful finale. Since most of the songs stay close to the Christian theme, they might be appealing for a church Christmas pageant or liturgical dance presentation.
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| A note about the RealAudio clips that appear below: the nature of how RealAudio works is that it makes sacrifices in sound quality. It does that because it tries to make the file sizes as small as possible, thereby allowing you to download them faster. As you listen to these clips, please remember that the sound quality on the original recordings is far superior to what these clips sound like. |
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Length |
RealAudio Clip? |
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| Joy to the World | 4:10 | No | Instrumental. Spirited, actually sounded joyful. |
| Little Drummer Boy | 5:08 | No | Female vocals. |
| Gaudete "Rejoice" from 1582 | 3:30 | No | Instrumental. Uses masmoudi rhythm. Pleasant. |
| God Rest Ye Merry Gentlemen | 4:39 | No | Instrumental. I found this one to be boring and a bit aimless. |
| Dance of the Angels | 5:18 | No | Written by Alan. Pretty song, but doesn't evoke "Christmas" for me. |
| Silent Night | 4:25 | No | Instrumental. Extensive improvisation to the point where it wasn't recognizable at times. |
| What Child Is This? | 4:56 | No | Instrumental. Extensive improvisation. |
| Pachel Bells | 4:10 | No | Instrumental. |
| Scarlatti Bachman | 5:50 | Yes | Instrumental, overlaid on top of Saudi/Khaleegy rhythm. I found it to be musically inventive. |
| Hark! The Herald Angels Sing | 5:53 | No | Instrumental. Overlaid on top of maqsoum rhythm. |
| O Come, All Ye Faithful | 5:44 | Yes | Female vocals. Sounded fairly standard. |
| Christmas Peace | 5:38 | No | Instrumental. Composed by Alan. Smooth and flowing, could be pleasant for veil work. |
| Amazing Grace |
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Female vocals. Spirited maqsoum rhythm. Had the flavor of an African-American gospel choir. I enjoyed this one very much. |
| O Holy Night |
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Instrumental. Melody played on flute. Quiet and meditative style. |
| Tikkun Olam (Healing the World) |
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Composed by Alan. Female vocals. Flowing melody. |
| I've had minimal contact with Alan. I have had brief conversations with him while buying his music at local dance festivals, but I've never had a chance to get well-acquainted with him and I've never had an opportunity to work with his band for a performance to live music. |
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