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These instructions describe how to make one of the basic components of a belly dancing costume, the circle skirt. Although it's not appropriate for historical/folkloric performances, if made out of natural fiber such as cotton, it can complement a modern-day tribal fusion look. Made from shiny fabric such as tissue lamé or satin, it sparkles under the stage lights of a nightclub or catches the glint of the sun outdoors. This skirt made of three half-circle panels drapes gracefully over the hips, falling into a full hemline at the bottom edge. In the photograph to the right, I am wearing a circle skirt with two tiers, with a zig-zag lower edge. Note how well this skirt style shows the movement of the spinning. Click here for instructions on how to make a semicircular veil like the one in this photo. |
![]() PHOTO CREDIT: Photograph by John Rickman Photography, San Jose, California, 2000. |
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PHOTO CREDIT: This photograph was taken in 1996 by Evelyn Elliot Whitlock. |
The circle skirt has been a favorite part of the belly dancer's costume wardrobe for many years. It has minimal bulk at the hipline, yet is very full at the floor. For dancers who want a modern-day nightclub-style costume, this skirt is very satisfying to wear because it enhances the movements of the dance. Made of inexpensive fabric such as nylon tricot, it's a nice item to wear for class or rehearsal. If made of fabric that is not see-through, you can wear the circle skirt by itself, or you can wear pantaloons underneath for a more modest look. The pantaloons can be either sheer or opaque. I like to layer two or more circle skirts, each made of different fabric but in colors that look good with each other. In this photograph, I am performing a double veil dance wearing three circle skirts made of tissue lamé fabric--one each in red, green, and gold. Each is made with 3 panels. The red skirt is tucked into the hipband to provide a draped effect. Note how the fabric responds to the momentum of spinning. Instructions for making the semicircular veils shown in this picture appear elsewhere on this web site. |
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When I purchase supplies to make a new circle skirt, I usually purchase enough fabric and trim to make a circle skirt, a matching veil, and either a matching vest or sleeves. That way, I have choices available to me on other items I can combine the skirt with at the time I wear it. Note: this list of supplies assumes that your skirt will consist of a total of three half-circle panels, and and it assumes you will finish the top edge using my recommended method described on How To Make A Hip Elastic Casing With Wide Bias Tape. If you opt to go a different direction from the one I recommend, then you'll need to determine what adjustments are necessary to the list of supplies I've suggested.
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In this photograph, I'm wearing two circle skirts. The top skirt is a sheer, lacy one made of a fabric with metallic thread woven into the design--the same fabric as the matching semicircular veil. The underskirt is made of a more opaque fabric in a color that is similar to that used for the overskirt. Together, they provide the coverage needed to keep my performance at a level which is "suitable for the whole family". Yet the open net weave of the overskirt gives it a delicate look while the more solid weave of the underskirt gives it body when I spin. Note that the bottom edge of the top skirt is trimmed with 3 rows of single-strand sequin trim. This trim catches the light and provides definition to the lower edge of the costume while dancing. For that reason, I strongly recommend putting at least one row of trim on the bottom edge. |
You should avoid these fabrics because they don't drape or move very well:
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| Buy 17 yards of whatever trim you want to use to decorate the lower edge of the skirt if you're making 3 panels, or 12 yards if you're making 2 panels. This could be a shiny braid or a sequin trim. For a peasant look you could use narrow bias tape or rickrack on a cotton skirt. |
Another way to trim the bottom edge of a circle skirt would be to hand-sew a row of either bugle beads or rocaille beads to it. Bugle beads look attractive arranged in a zig-zag pattern like this: / \ / \ / \
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| _____ Hip Measurement at Belt Line | _____ Finished Length from Belt Line to Lower Edge |
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To make your pattern, tape together newspapers to make a sheet that is 45 inches square or larger. Now, look for your hip measurement in the first column of the following chart:
If you plan to make a skirt with 3 half-circle panels, find the corresponding measurement in the "3 Panels" column. If you plan to make a skirt with 2 half-circle panels, find the corresponding measurement in the "2 Panels" column. Set your compass to the size indicated by the table. Or, if you don't have a compass, tie one end of a string to a pencil. Then cut the string so that it is the length indicated in the table above. For those who like to know such things, here is how I calculated the numbers in the table: For the 2-panel column, I first divided by the hip measurement pi (3.14159). Since you set a compass to half the length of the diameter (distance across the circle), I then divided by 2 to get the radius (the compass measurement). For the 3-panel column, I first divided the hip measurement by 3 and multiplied by 2 to go from having a circle and a half total to having just one circle. Next I divided by pi (3.14159) to get the diameter, and then divided by 2 to get the compass setting. In all cases, I rounded up to the next larger inch and added one additional inch so that the resulting skirt wouldn't have gaps where the panels meet. This allows for the straight edges to be turned under and hemmed while still covering the hips adequately. Anchor the compass or one end of the string at one corner of the newspaper, and then use the pencil end to draw an arc. This is the hip line for your pattern. Next, fill in the blanks on this table:
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Completely open up your fabric so it doesn't have any folds at all. Place your pattern in one corner of the fabric as shown above and pin it into place. Cut along the solid lines, but do not cut the dotted line. Pick up the pattern piece and place it so that one of the straight edges matches the uncut part along the dotted line. Cut along the solid lines. You'll end up with a half circle piece shaped like the diagram. Cut out your additional panels, flip-flopping the position of the pattern as shown so that you don't waste any fabric. |
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If making a 3-panel skirt, with right sides together, sew two of the panels together along one of the straight edges. This will be the center back. You can leave the other straight edges open to form slits that would expose your thighs in front if you wish, or you can seam them instead for a more covered look. It depends on what you want the finished skirt to look like.
For a 2-panel skirt, people usually seam at least one side of it, but the other side can be left open as a slit if desired.
If you decide to leave a slit or two, hemming the straight edges on either side of the slit is optional. It depends on your fabric and your preferences. Normally, when cutting the skirt out you will align the straight edges of the pattern piece with the selvages (finished edges) of the fabric as shown in the cutting diagrams above. Because these edges of the fabric have been woven in a way to prevent raveling, you could leave them unhemmed if you wish. Sometimes people decorate the sides of the slits, other times not. Some fabrics such as glitter dot or chiffon have selvages that aren't very attractive. If this is the case, you may wish to hem the straight edges of the skirt. Click here for directions on how to make the type of hem that I recommend.
Make a casing for the elastic in the top edge of each panel. I recommend using wide bias tape because it is a very easy way to deal with the curved edge. Click here for detailed instructions on how to do it. Even though those instructions tell you how to insert the elastic, don't do it yet--wait until after you have finished hemming the bottom edge and applying your trim.
Now, using either pins or basting stitches, attach the top edge of the skirt piece to a wire hanger. Hang it in an out-of-the-way place for at least one month. The longer, the better. This is very important. Many fabrics will stretch along the bias, which is the diagonal. If you don't hang your skirt to let the stretching happen before you hem it and put trim on the bottom edge, then it will stretch later when your store your skirt or wear it. The result will be an ugly, uneven lower edge, which will be a real nuisance to remedy after you have hemmed and decorated it. So hang it. Clip clothespins about every 6-8 inches along the lower edge to give added weight and encourage the stretching to happen.
Is it really necessary to wait 1-2 months before finishing your new skirt? You might be able to skip the hanging stage, depending on what fabric you use for it. There are some fabrics that don't "grow" over time.
Fabrics That Require Hanging |
Fabrics That Don't Require Hanging |
| Charmeuse | Tissue Lamé |
| Satin | Foils (Liquid Gold, etc.) |
| Georgette | Many Knits |
| China Silk | Nylon Tricot |
| Crepe-Backed Satin | |
| Chiffon | |
| Glitter Dot / Confetti Dot - it needs trimming, but you can do it immediately rather than waiting 1-2 months. |
If you don't see the fabric you want to use on this table, hang it. When in doubt, hang it.
After 1-2 months have elapsed, take a scissors and even out the lower edge. Some people like to insert the elastic (see below) in the top edge and put the skirt on to have someone else use the scissors to even out the hem while they are wearing it. If you have any figure issues that could cause a skirt to hang unevenly on you (for example, one leg longer than the other, or a voluptuous back side), then this approach is advisable. A skirt that seems perfectly even on the hanger could look uneven on some bodies. Remove the skirt piece from the hanger if you haven't already done so.
To hem the bottom edge: First, place the raw curved edge in your sewing machine and stitch a line 1/4 inch (.64 centimeters) from the edge all the way around the curved edge. Next, sit in a comfortable chair and turn the hem under along the stitching line, and turn it under again. Pin into place about once every 12 inches (30 centimeters). Youll find that the stitching line makes it easy to get the curve to behave itself. Then, machine-stitch the hem in place. Click here for more detailed instructions on making this hem.
Some people like to turn the hem toward the right side when using a wide trim because then, when they apply the trim, it entirely covers the hem and that means no hem will be visible at all, regardless of whether the audience sees the right side or the wrong side. Speaking for myself, I don't do this because I'm in the habit of turning it to the wrong side and I figure the audience won't get a close enough look at my hem to care whether it's visible on the wrong side anyway. Do whichever you prefer.
If you purchased a trim for the curved edge, sew it into place now. I usually machine-sew my trim because it goes much faster than hand-sewing. Because of my distance from the audience they usually won't be able to tell the difference anyway. But if you are a perfectionist, or if you want a particularly special look, you can hand-sew it.
If you left one or more slits, you might consider decorating the edges of the slits. Some people do this, others don't.
If you prefer to use a hand-sewn bead-and-sequin edging, you could finish the lower edge using the Turkish edging made from 8-mm cup sequins and rocaille beads that was on two costumes I purchased in Turkey.
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Attach either a bodkin (see photo at right) or a large safety pin to one edge of the elastic. Thread the bodkin or the safety pin through the casing at the top edge of the single half-circle piece (if making a 3-panel skirt with 2 slits) and pull the elastic through. Next thread the bodkin through the top edge of the two half-circle pieces that were sewn together. You will now have all three of your skirt pieces on the elastic, with two of them sewn together and a gap between those and the third. Sew the raw edges of the elastic together, and adjust the casing at the top edge of the skirt to cover them. If you have chosen to leave slits, try on the skirt and determine whether you want to add a few inches of stitching to close the top of each slit for a more modest look. |
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Position the seam at the center back. Allow the two slits to fall open in front, at the thighs. If you prefer to keep your thighs covered, you can do one of the following:
The circle skirt can be worn with a variety of different costume items, for different looks. The pictures shown throughout this article demonstrate how you can wear two or three circle skirts made of different fabrics together. Note that in the double veil picture near the beginning of this article, the red circle skirt is tucked at the hip to give the appearance of an accent skirt worn over the top of the other two circle skirts. (The green skirt is on top, then the red skirt immediately below it, then the gold skirt closest to the body.)
You could wear a single circle skirt over the top of pantaloons. I usually choose to wear at least one other item with my circle skirt: either an overskirt in a different shape, a second circle skirt in a different fabric, or a pair of pantaloons. This is because a single skirt can accidentally fly open while you're spinning and expose your bottom. With more than one layer, you are less likely to flash the audience with a view of your panties. (Even if you don't mind letting the audience see your panties, they probably would rather not see such a spectacle--especially if they have their children with them.)
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