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I frequently receive e-mails from dancers that say something like this:
So, you're eager to perform for someone, but people aren't calling you up to fill your calendar with gigs. What are you doing wrong? |
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First things first: if you live in a community without a local Middle Eastern dance scene, your first move should be to erase the term "belly dance" from your vocabulary. This term often triggers fears of something "dirty", especially in communities with conservative religious views. An event promoter in the 1890's coined the term in hopes of stirring up a scandal that would stimulate ticket sales. He succeeded. Over a century later, the term "belly dance" is still tainted with an undeserved scandalous reputation. If you want to avoid the whole stripper misunderstanding, then call it "Near Eastern dance," "Middle Eastern dance", "Biblical dance," or "Oriental dance," but don't call it "belly dance". See my article A Dance By Any Other Name here on this web site for the detailed explanation behind this advice. I have never heard a member of The General Public ask, "Does that have something to do with stripping?" when I tell them I do "traditional dance forms from the Middle East". Think about it! Some dancers firmly embrace the term "belly dancing" because they're trying to reclaim it, transform it into a term of power, and apply it to the divine feminine. I don't have a quarrel with these people, and in fact, I hope they're successful! But, most of these dancers live in communities where many people are already familiar with Oriental dance and have friends or family members who have tried it. These people can afford to call the dance whatever they like, because they're not risking as much when they do. However, if most people in your community associate the term "belly dancing" with something "dirty", then maybe you need to abandon the "powerful woman" politics and call the dance something less inflammatory. Consider your local environment, and decide which is more important to you: using the terminology you like best, or building local acceptance of your art form. Sometimes you can't have both. |
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You might not like it, but someone needs to tell you this: "Don't wait for someone else to create a place for you to dance! Get out there and start your own dance scene!" Many dancers are inherently lazy. We prefer to let someone else go find a place that welcomes dancers, and then we come knocking on the door to ask if we can dance there, too. If people aren't coming to you to beg you to perform for them, then you'll need to invest some effort into developing local interest in what you have to offer. No one else is going to think it's important to help you find an outlet for your yearning to perform. It's harsh reality. Gear up your Public Relations engine. You have a significant amount of work ahead of you:
All of this may seem tedious, but if you don't invest the energy in promoting you, who will? |
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Think creatively here. Middle Eastern restaurants aren't the only place to dance! There are two basic types of performance: community service and professional. Community service performances usually pay very little (or even nothing at all). When booking one of those, be sure to ask what the pay will be -- sometimes these places do have a budget to pay you a small amount but they won't offer it if you don't ask. In contrast, you should expect to be paid for performing in professional settings.
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If you sit around and wait for someone else to invent a place that welcomes dancers, then you won't be dancing very much. Reach out! You may need to start with a folkloric presentation to build a basic education, awareness, reputation, and trust in the community. As people become more familiar with what you do, you can expand into the glitter and glitz. Use a few community service events to advertise your availability as a performer. At every performance, distribute flyers and business cards. Approach a variety of businesses, local government agencies, and non-profit organizations. Build relationships and trust. It takes a lot of hard work to initiate a dance scene in a city that currently has no activity. But if you're successful, you'll feel a tremendous sense of satisfaction for your accomplishment! |
| This article originally appeared on the Suite101 web site, in the Middle Eastern Dance category, on April 20, 2001. |
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